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We’ve updated our Terms of Use. You can review the changes here.

Professional Development Vol. 2

by Rod Wallace

supported by
18thDynasty
18thDynasty thumbnail
18thDynasty Wallace has been killing it for the longest. Here is additional proof to back up my earlier statement. Favorite track: Daisy & Bud + Best Teacher.
Jay Bishop
Jay Bishop thumbnail
Jay Bishop Brilliantly arranged and impeccably produced. This is the next level in instrumental hip hop. This project unfurls like a storybook rich in detail and history. You listen thru and immediately hit repeat. A masterwork. Favorite track: Gator Suite Part I: Thick and Thins.
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1.
Lippincott 03:06
2.
Snore 03:16
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7.
Hardbottoms 03:27
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about

The second in a trilogy of instrumental projects by Michigan composer/engineer Mr. Wallace of the creative entity known as Double Negative People.

For more information, please visit doublenegativepeople.com.

For booking/inquiries, please contact doublenegativepeople@gmail.com.

soundcloud.com/mrwallacednp
Twitter/IG: @whereiswallace

Also check out:
computermusicacademy.com
scratchmagazinetv.com
edigging.com
phoniqs.com

credits

released January 1, 2017

All songs produced, arranged, mixed and mastered by Mr. Wallace at Wallace Soundlabs, Farmington Hills, MI except "Hardbottoms" and "The Runner's High," which were mixed at Panther Studios in River Rouge, MI.

Artwork: Anjilo Searcy at Artistically Produced Services
A & R: Mic Moseley for Double Negatve People
Executive Producer: Julian Wallace

This album is dedicated to my children, both biological and otherwise.

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all rights reserved

tags

about

Rod Wallace Detroit, Michigan

A veteran music producer and audio engineer from Flint, MI, Wallace has produced/mixed on several projects, and serves as the Director of Education for Grove Studios in Ypsilanti, MI. He also co-founded the Amplify Fellowship, which exchanges recording and production for support to community organizations. Wallace is a doctoral student researching hip hop production as a teaching methodology. ... more

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